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402-902-4275 402-902-2127. Tarantism Personeriadistritaldesantamarta · 402-902-3619 Tarantism Domian · 856-851-7574. Yakira Carpentieri Joachim Bergevin. 856-851-1030.

We are proud to present Tarantism for the first time in Australia. Joachim Koester. Born in Copenhagen in 1962, Joachim Koester studied at the Royal Danish Academy of Art. Tarantism Joachim Koester The film, shot in black and white on 16 mm film in a studio in Brussels, examines the time when after being bitten by a poisonous tarantula spider, one tries to rid oneself of emotional or physical tension. What's new Vimeo Record: video messaging for teams Vimeo Create: quick and easy video-maker videoreportage fra Joachim Koester på Galleri Nicolai Wallner, 25.jan-29.mar08. Joachim-Koester-Tarantism. Published January 3, 2014 at 500 × 333.

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16mm black and white film. 6:31 minutes continuous loop film still.*. Joachim Koester. To navigate, in a genuine way, in the unknown….

Joachim Koester’s interest in tarantism is tied to its original sense: a dance of uncontrolled and compulsive movements, spasms and convulsions.
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(Courtesy Joachim Koester, Galleri Nicolai Wallner.) 57. Tarantism , 2007 by Joachim Koester 16 mm film installation Joachim Koester Poison Protocols and Other Histories Thursday 6 August - Sunday 25 October 2009 Open Daily 11- 6pm, free Opening Preview: Wednesday 5 August 5 - 7pm In this first UK solo exhibition of Joachim Koester’s works, Stills pays attention to the artist’s exploration of invisible and forgotten histories of transgression. 20-ene-2014 - An ongoing weblog published by the curators of the 2013 Carnegie International Joachim Koester’s interest in tarantism is tied to its original sense: a dance of uncontrolled and compulsive movements, spasms and convulsions. In Tarantism he has utilized this idea to generate the movements of dancers, who explore, in six individually choreographed parts, what might be called the body’s terra incognita. Joachim Koester, Tarantism, 2007, Courtesy the artist and Jan Mot, Brussels One winter’s night in early 1842, Joseph Mallard William Turner strapped himself to the mast of a steamship in the midst of a storm in order to experience nature in all its sublime majesty.

Joachim Koester, Tarantism, 2007. Black and white 16mm film, 7 min. loop.
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Tarantism, Ian Potter Museum of Art, University of Melbourne

Joachim Koester, Tarantism, 2007, Courtesy the artist and Jan Mot, Brussels One winter’s night in early 1842, Joseph Mallard William Turner strapped himself to the mast of a steamship in the midst of a storm in order to experience nature in all its sublime majesty. Joachim Koester, in situ documentation of Tarantism, 2007, 16mm black and white film installation, 6 minutes 31 seconds; Courtesy of the artist.

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Joachim Koester - kunstaspekte

May 10–July 8, 2012. Opening:May 9, 6–8pm. Conversation with Joachim Koester and João Ribas, 5:30pm. Weisner Bldg. E15. Summary Directeur du département du développement culturel du Centre Pompidou et directeur artistique du Nouveau Festival, Bernard Blistène propose ici de dialoguer autour de la déconstruction de l'image, au travers du travail de Joachim Koester et plus particulièrement Tarantism (2008), œuvre de l'artiste danois présentée dans l'espace 315.